Michael Shannon - Final

Once the eyes are balanced, the whole piece comes together a little better. The light on the left side was something new.

Again usually capping my work at 2 hours creates mistakes but also pushes for broader strokes.

Michael Shannon

Whilst lookin over portrait photos, this one of General Zod popped up and I couldn't resist.

Previously working predominantly with acrylics, a few failed pieces convinced me to go back to penciling firstly.

One problem is inconsistency in my strokes. Using the flat edge brush should lend itself to more blocky images.